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Miriam Gauci (born April 3, 1957) is a Maltese operatic soprano, particularly associated with lyric Italian roles. == Life and career == Born in Malta, where she began her voice training, she completed her studies in the ''Conservatorio Giuseppe Verdi'' of Milan, Italy. After winning a few international prizes, she made her professional debut in Bologna, in Francis Poulenc 's ''La voix humaine'', in 1984. Her well-managed voice, unified from top to bottom,〔http://www.nytimes.com/1987/08/09/arts/opera-santa-fe-offers-butterfly.html?scp=4&sq=miriam%20gauci&st=cse〕 of moderate volume and fine quality, fitted her well for the lyric Italian repertory and she was soon in demand throughout Europe. She made her La Scala debut in 1985, in the role of Proserpina in the first modern revival of Luigi Rossi's ''Orfeo''. In the following season, she returned in ''Die Frau ohne Schatten'' and ''La Sonnambula''. She also appeared in Hamburg, Geneva, and at the Wexford Festival, and sang both Marguerite and Elena in Boito's ''Mefistofele'' at the Vienna State Opera. Other roles have included; Bellini's ''Anna Bolena'', Verdi's Violetta in ''La Traviata'', Gilda in ''Rigoletto'', and ''Luisa Miller'', Donizetti's Adina in ''Elisir d'Amor'', Mozart's Donna Elvira and Illia, and Massenet's title role in ''Manon''. By 1992, Miriam Gauci was already a favourite in Vienna, Munich, Hamburg and Santa Fe. She has collaborated with Riccordo Muti (''Mefistofele'' and Verdi's ''Requiem'' at the Salzburg Festival), Georges Prete (Verdi's ''Requiem''), Claudio Abbado (''Lohengrin'' at La Scala), Frans Welser Most (''Don Carlo'' in Cleveland), Aldo Ceccato, Gianluigi Gelmetti, Zubin Mehta (''Don Carlo'' and Mahler's Symphonies), and in Verdi's Requiem at the Musikverein under the baton of Vladimir Fedoseyev. She performed in productions by Jean-Pierre Ponnelle (''La bohème'' at the Dorothy Chandler’s Pavilion in Los Angeles in 1987 and Massenet's ''Manon'' at the Vienna State Opera in 1997), Dietrich Hillsdorf (''Don Carlo'' at the Aalto Musiktheater of Essen in 1988), Steven Pimlott (Micaela in ''Carmen'' at Earl’s Court in London in 1989), Robert Carsen’s ''Manon Lescaut'' in Antwerp (1991) and Paris (1993) respectively, Robert Wilson (Cio-Cio San in Paris National Opera in 1994), Harry Kupfer (Suor Angelica at the Hamburg State Opera in 1995), Franco Zeffirelli (''La bohème'' at the San Carlo of Naples in 1996), Pier’Alli (''Mefistofele'' at the Vienna State Opera in 1998–2000), and Giorgio Strehler (Contessa in ''Le nozze di Figaro'' at the Teatro alla Scala of Milan in 2005). She made her American debut at the Santa Fe Opera in New Mexico, in 1987, as Cio-Cio San in ''Madama Butterfly'', and later that same year appeared as Mimì in ''La bohème'' in Los Angeles, opposite Plácido Domingo. Her Metropolitan debut in New York came in 2001 with role of Mimì, followed by Cio-Cio San and Mimì at San Francisco’s War Memorial Opera House. She can be heard in many recordings, notably in ''Pagliacci'', ''Manon Lescaut'', ''Madama Butterfly'', ''Simon Boccanegra'', ''Otello'', ''La bohème'', ''Tosca'', ''Suor Angelica'', ''Gianni Schicchi'', Beethoven's Ninth Symphony and Egmont, Brahm's Requiem, Don Carlo's Act 5 duet with Ramon Vargas for RCA, as well as a recital of Italian opera arias for Naxos. Her career has continued successfully with concerts and recitals all over Europe and the United States, and she proved a deeply touching interpreter in certain roles, notably Butterfly, Manon Lescaut, Angelica and Mimì.〔http://www.nytimes.com/1995/06/04/arts/recordings-view-a-voice-as-bracing-as-the-sea.html?scp=6&sq=miriam%20gauci&st=cse〕 The Malta native divides most of her time singing Puccini and Verdi heroines. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Miriam Gauci」の詳細全文を読む スポンサード リンク
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